With sensorial engagement, bodies move through space, leaving and observing traces of occurrences. Operations of the perceived produce a never-ending flow of stimuli, drawing events through degrees of focus, telling one’s attention to take notice, or not. A disruption of flow, brought on by the event, relates to the subject’s position of the assumed. It is this affair with the assumed, a positioning of the known and unknown, that postures expressions of attitude. Out of this sequencing surfaces a drama between the understanding of self and its relationship with the world.